Size: 10mL
Country of origin: SPAIN
Botanical family: CUPRESSACEAE
Extracted from: NEEDLES / LEAVES
Extration method: STEAM DISTILLATION
Note: MIDDLE
Blends well with:
Frankincense — Deepens the contemplative quality with resinous brightness, making the blend more about sacred transition than simple change. The scent becomes more ceremonial, more intentional. → Restoration
Juniper Berry — Adds crisp, clean evergreen sharpness that makes the blend more about clearing and purification than about witnessing. The scent becomes lighter, more active. → Storage
Lavender — Softens the woody seriousness with floral calm, making difficult transitions feel slightly less stark. The blend becomes more about gentle passage than about facing hard truths. → Restoration
Sandalwood — Grounds the tall verticality with warm, creamy wood, adding softness to the contemplation. The blend becomes more about meditation that soothes than awareness that challenges. → Intimacy
Shelf life: Keep in a cool, dark place in a tightly sealed amber/black bottle. 2-3 years
Precautions: Dilute appropriately for skin use. More Safety Information
Clean, green, and woody—like standing in a forest of tall evergreens after rain, breathing air that's been filtered through needles and bark. The opening is fresh and slightly resinous, with a crisp, almost astringent quality that clears the sinuses gently. There's a subtle sweetness underneath, hints of pine and cedar but softer than either, with a balsamic depth that's more about wood than sap.
As it develops, you notice an earthy, slightly smoky quality, the smell of damp forest floor and fallen branches slowly decomposing into soil, with faint notes of lemon and sage that keep it from being too heavy.
The scent has a vertical quality—it smells tall, like looking up at tree trunks that disappear into canopy, like space that extends upward rather than outward. There's a quietness to it, a contemplative stillness that feels ancient and patient. It doesn't rush or demand attention; it simply stands, the way old-growth forests do, indifferent to human timelines.
Cypress is the person who's comfortable with endings, transitions, and the fact that nothing lasts forever. They're not morbid or pessimistic; they simply understand that change is constant and resistance is futile. There's a steadiness to them that comes from having witnessed cycles—growth, decay, renewal—enough times to trust the process. They don't rush to fix or change things; they observe, they witness, they allow.
Conversation with them can feel serious, but not heavy—they ask questions about what you're actually facing rather than what you wish were true. They're the friend who sits with you through difficult transitions without trying to make them easier or faster, who acknowledges that some passages require moving through darkness before you reach the other side. You leave their company feeling more grounded in reality, less inclined to resist what is, more capable of facing what needs facing.
Color: Deep blue-green with grey undertones, like cypress needles against overcast sky. The silvery-grey of weathered wood, the dark green of ancient trees, hints of black-green shadow in dense forest.
Texture: The rough bark of old trees, the slight dampness of moss on stone, cool air that feels clean and thin. Vertical, tall, reaching upward but rooted deep.
Architecture & Interiors: Mediterranean cemeteries and Japanese temple grounds (spanning centuries)—sacred or contemplative spaces where cypress trees mark transitions, boundaries between worlds, and the passage of time. Think Italian hilltop cemeteries lined with columnar cypresses, Zen temple gardens with ancient hinoki (Japanese cypress), or Provençal monastery courtyards.
Architecture: Stone paths worn smooth by centuries of footsteps, low walls defining sacred boundaries, simple gates marking entry to different zones, open-air spaces where sky and trees are the primary architecture, stone benches placed for contemplation rather than conversation.
Interiors: When present, minimal—bare stone or wood, natural light through simple openings, altars or shrines that are functional rather than ornamental, spaces designed to direct attention outward to trees and sky rather than inward to decoration. The architecture serves the landscape rather than dominating it; buildings are smaller than trees, paths follow natural contours, human structures acknowledge their own impermanence while cypress trees outlive generations.
Sound: Wind moving through evergreen branches—a sound that's more whisper than rustle, the creak of old wood, footsteps on gravel or stone paths. Silence that feels full rather than empty, the kind of quiet that makes you breathe more slowly.
Cypress makes a space feel like a threshold—not quite inside or outside, not quite past or present, somewhere between what was and what will be. It's the scent of a room where you sit with transitions, where you acknowledge what's ending before rushing toward what's beginning, where change is honored rather than resisted.
Some people use it during periods of loss or significant change, in spaces where meditation or contemplation happens, in corners where the goal is acceptance rather than transformation. It doesn't comfort in a soft way; it steadies. It creates a sense that this space can hold difficult truths—that impermanence is real, that nothing stays, that this too will pass.
For those building a Storage bond with their home, Cypress creates the sense that some things are worth keeping precisely because they mark what's passed—that memory and loss can coexist, that storing what was doesn't mean refusing what is.
For others, it supports Restoration not by healing wounds but by helping you move through grief, transition, and the inevitable passages that can't be avoided—only experienced with as much grace as you can manage.